Artist Adam S. Doyle who recently relocated to Hong Kong creates beautiful gestural paintings of birds, where the seemingly incomplete brushstrokes form the feathers and other details of the animal. In reality his work demonstrates a profound control of the paintbrush and careful understanding of the mediums he works with. Via email he tells:
Yes, what you see is what it appears to be—strokes of paint. I’ve always loved unfinished paintings because you could see the alchemic process of surface and paint transforming into a living person. With my paintings, it does take quite a bit of working and reworking to arrive at the place where every brush stroke fits into a fluidly flowing whole. It’s important to me to find a balance between an elegance of form that holds both visible marks of paint and a representation of ‘energy within’. I’ll just add that the painterly craft of my images, which I consider secondary to investigating ideas and concepts, came about after a lifetime of expressive image-making, followed by doggedly exploring the aforementioned transformation in grad school. I realized during that same formative period that I was also captivated by trying to visualize energy, which I was quite familiar with having grown up with a dad who practiced Eastern medicine.