Dutch photographer Paul Kooiker‘s latest exhibition, “Sunday,” takes erotic portraiture out for a new spin. His subject, an anonymous pale woman, stretches and contorts herself in the nude against a lush background, at once reminiscent of classical cherubs as well as modern pin-ups. The result is suggestive and sexually charged, yet also awkward and voyeuristic. Without a glimpse of her face or expression, viewers are left wondering what emotional state she’s in. Is this a peepshow for one? Or is she showing off for a paramour?
Kooiker describes the series of erotic nudes as “robustly built women with flesh so palpably rendered that their bodies attain an artless poetic grandeur.” Duality is ever-present in the series. The words “flesh” and “grandeur”; the contrast of “artless” and “poetic”; and the fact that the series seems to be many women yet one woman at once. The bright colors and sumptuous shades of burnt autumn reds and oranges in the background only serves to highlight the dreaminess of the photos, as though the woman is being viewed at a distance, various emotions roused but suppressed at once.