A beautiful car crash. A lovely death. Chilean artist Fernando Gomez Balbontin paints haunted and haunting scenes in his series “Thoughts About Life and Death.” The subject matter is difficult, though not gory. Crumpled cars rest on roadsides, smashed and crushed beyond repair—these can’t be anything but fatal crashes. The figures next to the devastated vehicles are often otherworldly. A seeming specter of death wears a dark hood. Girls’ faces are obscured with blobs and blotches of color. Is it blood? It’s impossible to be sure. A priest stands next to one ruined car, the pope another. A man flees the scene.
Yet there’s beauty among the wreckage. The colors are often candy bright. A geometric structure floats, untethered, dripping in a way that’s reminiscent of tears, or blood. There are lots of these drippings in the works, adding an organic element to the mechanized disasters.
“Denying death is denying life. So perhaps it is necessary to understand that tragedy is not the supposedly reality of death. Tragedy is about not accepting this possibility and consequently, not having enough time to live.”