Japenese artist Ishibashi Yui’s sculptures are both unsettling and serene. Using a variety of materials, such as wood, resin, cloth, clay, steel wire, and stone powder, she often depicts figures whose roots extend and project outward in many directions. These figures appear passive and complacent to these protruding branches, aware of the lack of control they have over this organic process. Some of these protrusions seem painful or unexpected, but ultimately inevitable. Often her figures are off-white, while their protrusions are green or red-hued. These figures are human-like, but their soft, round and white bodies give the viewer a sense they are also of the earth, resembling a plant’s bulb. Yui’s work makes us deeply aware of how we are intertwined with the natural world, and the balance and cycle of nourish and depletion that living and dying requires.
About The Author
Cosmin Nasui (BA-es in History of Art and Visual Arts&Design) has worked as art historian, curator, art critic, gallerist, cultural journalist, cultural manager for the last 20 years.
Eugen Moritz și Andrei Florian expoziție de ceramică sticlă și fotografie @ Centrul Artelor Vizuale, Caminul Artei, București