Junya Ishigami (also identified by Junya Ishigami + Associates) has long been known as someone averse to the labeling or differentiating between art, design and architecture. Case in point, one of Ishigami’s most famous works which straddled various disciplines, and even played with ideas of weigh and weightlessness. Titled Cuboid Balloon, the helium-filled reflective vessel filled the hall with it’s five-story presence when it was installed at the Museum of Contemporary Art in Tokyo. Although it appears massive, and therefore massively heavy, it is actually weightless (as seen in the video link below, when a museum staff member pulls it down with one hand). The reflective material responds both to its environment and surrounding architecture, but also to the people around it, an important creative rule for Ishigami’s work.
In a review of the architect by Magali Elali for All Items Loaded, they described the artist-slash-architect-slash-designer as such.
“Junya Ishigami is one of the most controversial architects, for his artistic approach to his practice has helped to redefine the ever closer boundaries between art and architecture. He draws inspiration from the way nature appears to man and aspires to an architecture that floats, is infinite, transparent and has hardly any substance. It is not the logic of the design of a building that should stand out. Ishigami wants his buildings to appeal through their new spatiality and environmental richness. His work is a quest for the pure and essential in architecture.” (via2headedsnake and allitemsloaded)