French artist Daniel Buren‘s long career has been focused on both questioning and criticizing the relationship of art to the structures that frame it. Buren’s work has delved into installation, critical writing and interventions. From the artist’s statement: “All of Buren’s interventions are created ‘in situ’, appropriating and coloring the spaces in which they are presented. They are critical tools addressing questions of how we look and perceive, and the way space can be used, appropriated, and revealed in its social and physical nature.”

2_A_Perimeter_for_a_Room_01 daniel_buren_lisson_gallery_london_2-thumb-468x354-35861 DSC_0863 BURE110004 09_Daniel-Buren_5-Squares-of-Electric-Light-1_2011 10_Daniel-Buren_5-Squares-of-Electric-Light-1_2011 blog-31 daniel_buren_lisson_gallery_london-thumb-525xauto-35860 DSC_0866 DSC_1007One of his most powerful interventions Perimeter For A Roomwork in Situ. 2011, was installed at Lisson Gallery, the London Gallery who represents Buren and who specializes in conceptual, Minimalist art. Created with sheets of clear acrylic colored with self-adhesive filters, and punctuated by border stripes of black vinyl, Perimeter investigates the nature of the room which houses work, and identifies with the idea of being work. Says the artist in an interview with Wallpaper*’s Emma O’Kelly, “It’s so simple. It follows the perimeter of the room, which is an unusual L-shape, with varying heights. It’s a complicated space, but more exciting to work with than a white cube. Playing with the idea of the perimeter – something I have never done before – I built the piece in-situ, as always…The colours are simple – I could only get four colours of Plexiglas. I arrange them in alphabetical order depending on the language of the country I’m in, so for this piece, they are arranged as they are spelt in English. I always apply this system as soon as I start using more than two colours.” (via wallpaper*)

source: beautifuldecay.com