Proiectul „Romanian Kiosk Company” a fost achizitionat de Louisiana Museum of Modern Art din Danemarca. Intre 24 mai – 19 august 2012, proiectul va fi expus impreuna cu celelalte lucrari care au intrat in colectia muzeului in ultimii trei ani.

Cele doua zile care urmeaza vernisajului sunt dedicate unei serii de prezentari, preformances si intalniri numita Two Days Art. In cadrul acestui eveniment, pe 25 mai, voi face o prezentare a ultimelor mele proiecte, in timpul unei conversatii cu scriitorul HG Masters.

New works in the Collection 2009-2011
May 24 – August 19, 2012

It is unfortunately not a matter of course that Danish or even foreign museums can expand their collections with works by young or classic artists. This takes funding that is available to few museums, and Louisiana too has to raise money every time something catches our eye that we think is important to the museum’s overall artistic statement. On the other hand there are many foundations and private individuals who think the museum’s extraordinary collection merits continued expansion, and this year’s almost sensationally rich presentation demonstrates this. There are works in all genres – video, photography, installation, sculpture and painting – from major works by Asger Jorn and Poul Gernes, Roni Horn, Erwin Wurm and Thomas Struth, to a wealth of contemporary art; from Thomas Demand and Tillmans to the youngest artists. Pink Caviar is a rich, diverse exhibition that is both on the ball and allows for the classics of tomorrow.

The artists in the exhibition are: Ai Weiwei, Rosa Barba, Yael Bartana, Sophie Calle, Vija Celmins, Thomas Demand, Olafur Eliasson, Andreas Eriksson, Simon Evans, Öyvind Fahlström, Hans-Peter Feldmann, Poul Gernes, Sigurdur Gudmundsson, Shilpa Gupta, Jacob Holdt, Roni Horn, Ellliott Hundley, Matthew Day Jackson, Chris Johanson, Isaac Julien, Jesper Just, Zilvinas Kempinas, Rosy Keyser, Anselm Kiefer, Per Kirkeby, Yayoi Kusama, Klara Lidén, Michel Majerus, Gerold Miller, Marylin Minter, Nicolae Mircea, Sigmar Polke, Sheng Qui, Tal R, Daniel Richter, Thomas Ruff, Allan Ruppersberg, Yorgos Sapountzis, Dayanita Singh, Tove Storch, Thomas Struth, Al Taylor, Wolfgang Tillmans, Marcel van Eeden, Francesca Woodman, Erwin Wurm.


As a reflection of the recent art that has ‘flooded’ the Louisiana collection during the past three years the museum is hosting a two-day art festival on May 25 + 26, directly following the opening of PINK CAVIAR, the exhibition of new acquisitions.

Louisiana’s acquisitions strike out in many directions and address the viewers in many different ways. This openness and diversity will also typify Louisiana’s Two Days Art festival with a lively mix of lectures, artist interviews, performances, readings in the Sculpture Park at twilight, music, guided tours, and people meeting people – all driven by curiosity and human dialogue, and gathered in a packed programme of 35 events spread over two days – arranged for the benefit of the museum’s guests.
On Friday 25 April we have received confirmation from the following to participate: Hans Ulrich Obrist meeting Hans Peter Feldmann, HG Masters meeting Lynn Hershman and later Mircea Nicolae. Jacob Wamberg, Mette Sandbye and Anders Kold will walk and talk, Gerold Miller will engage in a head to head with Louisiana Curator Mette Marcus, Rosy Keyser with William Pym, Carsten Thau will meet Thomas Demand in a conversation starting in architecture. There will be performances by Yorgos Sapountzis, Tove Storch, and  Tal R and Simon Evans. Roni Horn will read in the dusk between the trees of the Park, and we shall meet Danyanita Singh, Camilla Nilsson, Paul Graham and Jacob Holdt.
The Saturday events include Daniel Birnbaum’s reflections on Michael Majerus, Jacob Holdt and Paul Graham’s solo presentations, George Woodman’s talk on the life of his daughter Francesca Woodman, Jan Debbaut’s presentation about the difference between collecting and curating, Jesper Just’s live performance, Dayanita Singh in conversation about her work, Gunnar Kvaran talking about the Astrup Fearnley Museum, and Daniel Richter discussing Munch and his influence on his painting.

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