Nelson’s large-scale sculptural installations immerse the viewer in an unfolding narrative which develops through a sequence of meticulously realised spatial structures. The weaving of fact and fiction are fundamental to Nelson’s practice, and his constructs are steeped in both literary and historic references, whilst drawing upon the geography and cultural context of their location.
Throughout his career, Nelson has constantly returned to and re-examined territories within his own practice, and his new exhibition for the British Pavilion follows the success of his first major solo presentation in Venice in 2001, The Deliverance and the Patience, which was shown as part of the collateral programme at the 49th edition of the Biennale.
For the British Pavilion in 2011, Nelson has elected to take as his starting point another of his own key works from the past decade, Magazin: Büyük Valide Han, originally built for the 8th International Istanbul Biennial in 2003. By relocating and re-working this earlier installation for Venice, Nelson has both created a link between the two former great mercantile centres of the east-west/west-east axes, and drawn upon his own histories with the cities and their respective biennials.
Magazin: Büyük Valide Han was housed in a cell-like space within the vast complex of the Büyük Valide Han, a 17th century caravanserai situated in the Mercan area of Istanbul. It comprised a darkroom on split levels filled with black and white photographic images of the courtyards and dome structures of the exterior of the caravanserai in addition to the immediate surrounding area of the building.
Nelson has referred to the work for Istanbul as being a parasitical installation that had lodged itself into a 17th century building. Based on the photographic memory of the earlier work, with I, Impostor, Nelson has not only rebuilt the original darkroom but sections of the caravanserai itself, so that now a building, from another time and place, exists inside the late 19th century British Pavilion in Venice.
The British Council is publishing a fully illustrated book to commemorate Mike Nelson’s exhibition, which includes newly commissioned texts by Dan Cameron and Rachel Withers, and colour plates of the new work in progress. The book will be available at the British Pavilion during the Press Days and throughout the run of the exhibition.
Commissioner for the British Pavilion 2011: Andrea Rose
Curator for the British Pavilion 2011: Richard Riley
Mike Nelson is represented in the UK by Matt’s Gallery, London. For enquiries, please contact [email protected] or phone 020 8983 1771. For further information about the gallery, please visit www.mattsgallery.org. He is represented internationally by Galleria Franco Noero, Turin (www.franconoero.com) and 303 Gallery, New York (www.303gallery.com). This exhibition is supported by Arts Council England.
For more details on the British Council, please contact Alex Bratt, Press Officer, on 0207 389 4872 or [email protected]
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Photo by Cosmin Năsui & Cristiano Corte, courtesy British Council
Modernism.ro vă prezintă, în premieră, un serial dedicat expozițiilor pavilioanelor naționale și evenimentelor paralele și dar și a celor colaterale ale Bienalei de Artă de la Veneția, unul dintre cele mai importante evenimente europene de artă contemporană.
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