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Guest editor: Marina Grzinic
(Image: Cover PAVILION #14)
“I am interested in rethinking conceptually, politically and ideologically the conditions of the re/production of life, art and culture in the social and political space in the present moment of neoliberal global capitalism. Capitalism is not just a framework “out there somewhere.” It is the condition sine qua non of the way we live and of how life is conceptualized today. It is also the basic condition of the way in which the social and political layers of society function. Last but not least, it is at the basis of the way in which each and every institution of contemporary capitalist society is organized and functions today. When I say “institution,” I mean both its material foundation and its “non-material” discourses. Institutions today comprise innumerable , their theoretical conceptualization and practical organizations.” (extract from “From Biopolitics to Necropolitics and the Institution of Contemporary Art” by Marina Grzinic)
In this issue:
(free download the pdf version of the issue at www.pavilionjournal.org)
Biopolitics, Necropolitics and De-Coloniality
BIOPOLITICS, NECROPOLITICS AND DE-COLONIALITY
From Biopolitics to Necropolitics and the Institution of Contemporary Art
Metastasis of Democracy, Communication and Mass Intelect
Sefik Seki Tatlic
Life After Death
Nejra Nuna Cengic
The Communal and the Decolonial
De-Linking from Capital and the Colonial Matrix of Power: Class Racialization and the (De)Regulation of Life
Beyond the State and the Market: Trans-Modern Art as a Way of Liberating Knowledge and Being
What is PAVILION?
A journal for politics and culture that name alludes to the relative temporary structure of the contemporary art.
The journal is presenting wide-ranging, multi-disciplinary content in each issue through the varied formats of regular column, essays, interviews, and artist projects.
Our publication addresses to a broad audience of readers, which are interested in contemporary culture and recent political and social issues and does not only want to describe contemporary phenomenon but with its militant attitude it tries to directly intervene in cultural, political and social life.
Every issue has a special theme, which gives the general outline for the accumulation of texts, artworks and projects.
Moreover, PAVILION is the producer of many related projects like BUCHAREST BIENNALE | Bucharest International Biennial for Contemporary Art, www.bucharestbiennale.org and run the PAVILION UNICREDIT, www.paviliounicredit.org
Flexicover, English, 14.5 x 19.5 cm, 176 pages, wrapped in plastic, price 15 € + 3 € pp.
In Bucharest can be found exclusively at PAVILION center for contemporary art & culture with 30% discount. For students 50% discount.
Internationally distributed in Europe, Australia, USA, Asia.
For orders write to [email protected] or call +4 031 103 4131.
You can also order the magazine by PayPal on the website.
PAVILION, BUCHAREST BIENNALE and PAVILION UNICREDIT are projects devised and founded by Razvan Ion and Eugen Radescu