Working with one of the most socially relevant and controversial topics of recent years, artists Pascal Leboucq and Lucas De Man have installed a clever take about what it means to be surveilled, to survey and to be under surveillance. TheirEYE project consists of 5 enormous eyes built into the sides of different buildings around the Dutch city of Den Bosch that viewers are able to inhabit and experience a dramatic view of the city from.

15004904673_893a1c02d6_b EYE_AfficheDEF-kopieKeiner-700x375 OOG-Den-Bosch_De-Heus-03 15004904663_36d6773856_b 15004904583_3459f246c0_b 15004904573_1385807262_b 15004904553_1ecfb0bf6b_b 15004904403_4edd1e73ff_b 15438953948_1f0ba12911_b 10624569_1509933012582299_5699096431409335313_n-990x500Once inside the different buildings of the project (including a theater, a modern hospital, an old building ready to under go construction, a monument and a corporate building), observers are ushered to a seat, fastened in and wheeled out into the hanging structure. They are then immersed into a multimedia sound and video experience altering the way  they are able to see themselves, their peers and their environment. Artist Lucas De Man says about the metaphor of eyes in this project:

A city with eyes is a city that looks and shows itself. No closed doors or shut windows, but open. We gave the city eyes so you can hang in the air above the world and look. Just look. (Source)

Lucas also talks about his desire for a more connected existence within cities, and how important it is to have these immersive experience to change our interaction with each other and within our shared environment.

Man wants to be heard and seen and has the need to share his vulnerability every now and then. The city must accommodate this need by being a place for, of and by people. (Source)

The Eyes are still open for viewing until November 1. They will then be on tour in 2015.
(Via HiFructose)

Multimedia EYE Project Invites Citizens To Sit In The Chair Of Surveillance appeared first onBeautiful/Decay Artist & Design.

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